From Willy Vlautin, award-winning author of Lean on Pete and The Motel Life, comes a powerful exploration of identity and loneliness pulled from deep within America's soul.
Don’t Skip Out On Me is going to make your heart crumple into a little wad of paper and then open it back up into a perfect paper airplane sailing the skies from the hand of a boy. How does a bi-cultural man find a self when he’s been abandoned by his parents? He invents it, that’s how, with his hands, his fists, and that fist-shaped muscle, a heart. No one anywhere writes as beautifully about people whose stories stay close to the dirt. Willy Vlautin is a secular—and thus real and profoundly useful—saint.”
—Lidia Yuknavitch, author of The Book of Joan
Horace Hopper has spent most of his life on a Nevada sheep ranch, but dreams of something bigger. Mr. and Mrs. Reese, the aging ranchers, took him in and treated him like a son, intending to leave the ranch in his hands. But Horace, ashamed not only of his half-Paiute, half-Irish heritage, but also of the fact his parents did not want him, feels as if he doesn’t belong on the ranch, or anywhere. Knowing he needs to make a name for himself, he decides to leave the only loving home he’s known to prove his worth as a championship boxer.
Mr. Reese is holding on to a way of life that is no longer sustainable. He’s a seventy-two-year-old rancher with a bad back. He’s not sure how he’ll keep things going without Horace but he knows the boy must find his own way.
To become a champion Horace must change not just the way he eats, trains, and thinks, but who he is. Reinventing himself as Hector Hildago, a scrappy Mexican boxer, he heads to Tucson and begins training and entering fights. His journey brings him to boxing rings across the Southwest and Mexico and finally, to the streets of Las Vegas, where Horace learns he can’t change who he is or outrun his destiny.
A beautiful, wrenching portrait of a downtrodden man, Don’t Skip Out on Me narrates the struggle to find one's place in a vast and lonely world with profound tenderness, and will make you consider those around you—and yourself—differently.
“Don’t Skip Out On Me” is a heartbreaker of a book that appeals to our better nature. It leaves readers wanting to hang on to their loved ones and extend a hand to the strangers and overlooked people we pass every day.”
“Vlautin. . . . strips away our defenses with close-to-the bone prose that leaves us utterly exposed to the tragedy of being alive—and every bit as thankful for those moments of aching humanity before the curtain falls.”
“[T]here’s a distinct sense of foreboding in the air as Vlautin slowly lets this poignant tale unwind to its inevitable, heartbreaking conclusion. A powerful, haunting portrayal of lives rendered in unflinching, understated prose.”
“An emotionally wrenching story of a ranch hand who dreams of being a championship boxer and an elderly couple trying to hold on in central Nevada.”
“Vlautin writes with patience, tenderness, and a sharp eye toward the subtle things that can wear a person down — the fights we don’t know we’re losing until it’s already too late.”
“Vlautin unerringly captures the heartbreak of the generational divide — as every older generation realizes it cannot protect its younger charges from making their own mistakes as they forge their own way.”
“I absolutely loved Don’t Skip Out On Me, just as I have loved all of Vlautin’s previous novels. Vlautin’s gritty, scrappy world bursts with a tenderness that will hook you in from the first line to the last. This is a writer who should never be ignored.”
“No one anywhere writes as beautifully about people whose stories stay close to the dirt. Willy Vlautin is a secular—and thus real and profoundly useful—saint.”
“Magnificent…. Willy Vlautin is now one of America’s great writers.”
“Beautifully crushing and complete.”
“The world needs more Willy Vlautin, and Dont’ Skip Out on Me is his best novel yet.”
“In this powerful novel, Vlautin (The Free) writes about characters whose big dreams and plans are often stunted by fate and circumstance, but who’ve managed to find a way to push through, bruised but with hard-won wisdom. . . . excellent.”
“Singer-songwriter Vlautin’s latest (The Free) is another quietly devastating addition to his growing canon of spare and heartrending contemporary Westerns... Vlautin’s unerring ability to write without artifice or judgment about hardscrabble people trying to do good makes him the literary heir to the late Kent Haruf.”
“The straightforward beauty of Vlautin’s writing, and the tender care he shows his characters, turns a story of struggle into indispensable reading. I couldn’t recommend it more highly.”
“Few contemporary western writers tell the truth with the unerring eye of Willy Vlautin, a literary realist whose emotionally charged characters achieve that rarest of goals in fiction—to tell a great story...”
“With straightforward economy, he draws us into [the characters’] seemingly intractable problems, revealing their persistence and decency... Vlautin’s unadorned narrative is affecting; these unassuming characters bore into us in surprising ways.”
“Vlautin’s prose is deceptively simple, his clipped descriptions loaded with meaning. The narrative is as unsparing as Hopper’s fights, but what stays standing is a profound sense of hope, a hope that drives society’s downtrodden and provides the theme for much of Vlautin’s work.”
“Northline shines with naked honesty and unsentimental humanity. The character of Allison Johnson, and the wounded-but-still-walking people she encounters on her journey, will stay with me for a long while. Vlautin has written the American novel that I’ve been hoping to find.”
“I love Willy Vlautin’s novels. Downbeat and plaintive as they are, the tenderness holds on like the everlasting arms…. Willy’s voice is pure and his stories universal. He never loses hope or heart and I believe every word he’s written.”
“Willy Vlautin is one of the bravest novelists writing... An unsentimental Steinbeck, a heartbroken Haruf, Willy Vlautin tells us who really lives now in our America, our city in ruins.”
“Vlautin is a writer with incredible heart, and The Free is his best achievement yet, a profound look at characters living on the margins, honest people who have been hit hard by the dark realities of a difficult world.”
“Lean on Pete riveted me. Reading it, I was heartbroken and moved; enthralled and convinced. This is serious American literature.”
“Vlautin’s eye for detail is sharp: every character is distinctly drawn and memorable.... for sheer cinéma-vérité detailing of American life right now, Lean on Pete is a good place to start.”
“A debut road-trip novel that echoes the spare, bleak style of such writers as Denis Johnson and Raymond Carver…[Vlautin] conveys the pain and desolate lives of his characters without a hint of melodrama”
“Willy’s novel Lean on Pete was one of my favorite reads of the last decade. I might love The Free even more. ‘Cinematic minimalism’ in the grand tradition of Fat City, Ironweed, and the works of the great Raymond Carver.
“(Willy Vlautin) is the literary version of a Neil Young or a Tom Petty, bearing a ragged standard for empathy, compassion and decency, defending notions of the story as a sorting office for the soul. “
‘Willy Vlautin is the poet laureate of the downtrodden and disenfranchised underclass of American society, detailing with real empathy and insight the daily struggle of his characters in modern society.”
“Vlautin is on to something about what’s wrong with America, and with many Americans, especially in the age of Trump...”
“Vlautin steers his characters down their hard path like a veteran scrive of the American road.”
“Vlautin’s sparse, plan sentences are well-matched to the brusque world he depicts. At the same time, his compassion for his characters never wavers.”
“Vlautin’s latest novel…inches ever closer to a literary equivalent of his unrivalled ability to make us believe in the characters in his songs long after they’ve stopped believing in themselves.”
“Willy Vlautin has been literature’s best-kept secret for far too long. He may well be our own Steinbeck, but with a haunting steel-guitar sensibility all his own.”
“(The book is) written in the sort of scorched, bare-bones prose, stripped of metaphors and similes, that has won him fans such as Roddy Doyle, Donna Tartt and Colm Tóibín.”